西线战场1918[电影解说]

《西线战场1918[电影解说]》讲述的是什么故事？

《西线战场1918[电影解说]》According to Sadoul in his "Dictionary Of Films": "The life and death of four average soldiers attached to the same company on the French front during the last months of World War I. Karl (Diessl), from Berlin, goes home on leave and finds his wife (Hoessrich) in bed with another man. A Bavarian (Kampers) takes life as it comes, while the lieutenant (Clausen) sticks to his duty. Anex-student (Moebis) falls in love with a French girl (Monnier) but loses her when the company moves on. All of them, sooner or later, meet a terrible end. Best sequences: the men buried alive during a bombardment; the first romantic meeting between the young student and Yvette; Berlin in the midst of food rationing with queues at all the shops; the death of the student at the hands of a wounded soldier in no-man's-land; the tank attack; the lieutenant going mad; the wounded and the dying in the ruined church converted into a field hospital. "Far better than the contemporary All Quiet On The Western Front, Westfront 1918 has little dialogue but gives tremendous dramatic force to natural sounds (Pabst refused to use music). As John C. Moore describes the final sequences: 'Pabst makes one last desperate effort to convey to us not only the horror of war but its futility and its gross stupidity as well.' Released to tremendous international acclaim, it still must be included among the finest war films ever made."

一、《西线战场1918[电影解说]》是哪一年上映的？

《西线战场1918[电影解说]》是G·W·帕布斯特于1930年拍摄的一部经典电影解说。此片开创德国当代电影解说的先河，《西线战场1918[电影解说]》上映时票房稳坐前三，创下当年纪录。当时Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒均为最佳主角，Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒以精彩演技和突出形象，奠定在德国影坛地位。Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒饰演角色造型多年后仍为人所模仿。G·W·帕布斯特之前曾被人怀疑其能力，而《西线战场1918[电影解说]》却奠定G·W·帕布斯特电影解说风格。《西线战场1918[电影解说]》首映时曾获海外电影解说和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1930年代）德国优秀电影解说齐名。

二、被称为电影解说的开先河之作的《西线战场1918[电影解说]》，是G·W·帕布斯特最好的作品吗？

从G·W·帕布斯特斩获电影解说最佳导演开始，很多观众就觉得这部《西线战场1918[电影解说]》是他极具代表性的电影解说。虽然G·W·帕布斯特后来还拍出过评价很好的作品，但是《西线战场1918[电影解说]》依然常被认为是他电影解说创作中的重要代表。

三、《西线战场1918[电影解说]》为什么可以成为经典？

提起德国，不少观众都会想到《西线战场1918[电影解说]》的名字。这部由G·W·帕布斯特导演，Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒主演的《西线战场1918[电影解说]》，在当时凭借鲜明的人物塑造和紧凑的电影解说叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《西线战场1918[电影解说]》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《西线战场1918[电影解说]》？

《西线战场1918[电影解说]》口碑表现稳定，深受广大观众喜爱。不仅Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒的表演有看点，而且该电影解说故事情节紧凑，皮皮影院（ycmmcy.com）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《西线战场1918[电影解说]》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《西线战场1918[电影解说]》电影解说的主要内容

《西线战场1918[电影解说]》是一部电影解说作品，由导演G·W·帕布斯特执导，Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的电影解说故事。

《西线战场1918[电影解说]》According to Sadoul in his "Dictionary Of Films": "The life and death of four average soldiers attached to the same company on the French front during the last months of World War I. Karl (Diessl), from Berlin, goes home on leave and finds his wife (Hoessrich) in bed with another man. A Bavarian (Kampers) takes life as it comes, while the lieutenant (Clausen) sticks to his duty. Anex-student (Moebis) falls in love with a French girl (Monnier) but loses her when the company moves on. All of them, sooner or later, meet a terrible end. Best sequences: the men buried alive during a bombardment; the first romantic meeting between the young student and Yvette; Berlin in the midst of food rationing with queues at all the shops; the death of the student at the hands of a wounded soldier in no-man's-land; the tank attack; the lieutenant going mad; the wounded and the dying in the ruined church converted into a field hospital. "Far better than the contemporary All Quiet On The Western Front, Westfront 1918 has little dialogue but gives tremendous dramatic force to natural sounds (Pabst refused to use music). As John C. Moore describes the final sequences: 'Pabst makes one last desperate effort to convey to us not only the horror of war but its futility and its gross stupidity as well.' Released to tremendous international acclaim, it still must be included among the finest war films ever made."